Theory, Research and Practice
From: Making music for mental health: how group drumming mediates recovery
Theme | Sub-theme | Description |
---|---|---|
Features of the drumming | 1.1 Nonverbal communicating | Drumming as a means for expression and communication without words |
1.2 Rhythmic | Drumming as a shared rhythmic experience, which is primitive and grounding | |
1.3 Physical | Drumming as implying bodily effort, energy and release of accumulated tension | |
Features of the group | 2.1 Connecting | Group as constructing a sense of relatedness, unity |
2.2 Belonging | Group as a shared identity, a place of belonging | |
2.3 Accepting | Group as accepting, eliciting integration and approval | |
2.4 Providing safety | Group as a place of refuge, safety | |
2.5 Caring | Group as a place of handing over responsibility, being held by the group | |
2.6 Socialising | Group as a means to increase social contact | |
Features of the learning | 3.1 Inclusive | Learning as inclusive, any level of skill welcome, any process adequate |
3.2 No mistakes | Learning as a process in which the concept of fault is dissolved | |
3.3 Freeing | Learning as a new experience: no homework, no directedness, no control | |
3.4 Embodied | Learning as a process incorporated in the body, a ‘new way of thinking’ | |
3.5 Role of facilitator | Learning as facilitated by a central, expert musical facilitator |